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Learning of Gurmat Sangeet >> Terminology of Indian Music
Subject Expert :  

Dr. Kanwaljit Singh
Assistant Professor
Department of Gurmat Sangeet,
Punjabi University,Patiala.
Dr. Varinder Kaur
Assistant Professor
Department of Gurmat Sangeet,
Punjabi University, Patiala.

   
 
Sangeet
1. Aesthetic Expression of Melody and Rhythm
2. In Indian tradition, Sangeetis a combination of vocal instrumental and dance
 

Explanation
The entire tradition comprising vocal, instrumental and dance.

 
     
 
Shastari Sangeet
Music based on classical Scriptures.
 

Explanation
Explanation: An Indian classical music tradition based on grammar of ancient Indian music, which follows the Indian Classical scriptures.

 
     
 
Indian Music
A complete music tradition sung and played in India, a country of Asian sub continent.
 
Explanation
It comprises of classical music which is based on musicology (Sangeet Shaster) developed by Indian musicologists. Regional folk music and all other streams of music are integral part of this tradition. Now days, Indian music has two systems of music i.e. Hindustani music tradition (North Indian Music) and Carnatic music tradition (South Indian music).
 
     
 
Hindustani Sangeet
Music tradition prevalent in Indian except Madras, Karnataka, Mysore and Andhra Pradesh
 

Explanation
Except Mysore, Karnataka, Madras and Andhra Pradesh, the music tradition prevalent in the rest of India is called Hindustani music tradition. The Gurmat Sangeet, Sufi music, film music traditions are also a part of Hindustani Sangeet tradition.

 
     
 
Carnatic Sangeet
Music tradition prevalent in Madras, Karnataka, Mysore and Andhra Pradesh
 

Explanation
The music lore prevalent in the southern parts of India, including Madras, Mysore, Andhra Pradesh is called Carnatic or southern music

 
     
 
Folk Music
Traditional music transmitted orally, generations to generation
 

Explanation
Traditional music transmitted mouth to mouth and performed by custom over a long period of time.

 
     
 
Gurmat Sangeet
The tradition of Shabad Kirtan founded by Sikh Gurus, evident from the musicology of Sri Granth Sahib.
 

Explanation
Sikh sacred tradition, Gurmat Sangeet following the principles, tenants, sermons given and musicological system given by the Sikh Gurus.

 
     
 
Sufi Sangeet
Devotional music of Sufi traditional.
 

Explanation
A music tradition prevalent in Sufism for the singing of devotional poetry of Islamic mystic Sufi saints, i.e. Kafi, Quali etc.

 
     
 
Naad
A special musically applicable sound
 

Explanation
We hear a lot of sounds in our surroundings. The irregular sounds take the form of noise, but the pleasant, stable and musically useful sounds in original form are called Naad.

 
     
 
Sur
Musically useful melodic sound.
 

Explanation
A regular, melodic, stable, identical natural is called Sur. Indian musicians have based the principle of Seven natural (Shudha Sur) notes.

 

#

      The names of Swar in Hindustani Music

 
1.

       S (Sharaj)

2. 

       R (Rishabh)

3. 

       G (Gandhar)

4. 

       M (Madhiam)

5. 

       P (Pancham)

6. 

       D (Dhaivat)

7. 

       N (Nishad)

 
     
 
Shudh Sur
Natural notes of a Saptak (the group of seven notes)
 

Explanation
In Indian music tradition, there are 22 musically useful microtones known as Saptak. There are seven natural notes in a Saptak, audible to natural ears.

 
     
 
Komal Sur
Flattened and displaced notes of Indian Saptak
 

Explanation
In Indian music tradition, there are seven Shudh Sur (natural notes) in a Saptak Four flattened notes from the Indian Saptak are called Komal Sure.g. r, g, d, n.

 
     
 
Tivar Sur
A music note of Indian music scale, sharpened and displaced from its natural place.
 

Explanation
In Indian music tradition, there are seven Shudh Sur (natural notes) in a Saptak. One sharpened note is called Tivar Sur e.g. the Tivar madhiam, of Indian musical Saptak.

 
     
 
Saptak
A group of seven basic notes of Indian scale e.g. Sa, Re, Ga, Ma, Pa, Dha, Ni.
 

Explanation
In Indian music tradition, the group of seven notes is called Saptak. These notes are arranged as Sharhaja (Sa), Rishabh (Re), Gandhaar (Ga), Madhiam (Ma), Pancham (Pa), Dhaiwat (Dha), NIshada (Ni).

 
     
 
Mandar Saptak
Lower the the standard middle Saptak.
 

Explanation
The natural scale or Saptak in the vocal or instrumental tone is called Madh Saptak. The lower of standard middle Saptak is known as Mandar Saptak.

 
     
 
Madh Saptak
Standard middle Saptak of Indian music scale for singing and playing.
 

Explanation
A saptak sung or played in a normal tone is called Madh Saptak.

 
     
 
Tar Saptak
Higher than the standard middle Saptak
 

Explanation
The natural Saptak in the vocal or instrumental tone called Madh Saptak. The higher Saptak of middle Saptak is Tar Saptak.

 
     
 
Thaat
Parent scale comprising of seven identical notes.
 

Explanation
An identical group of music notes conceived and propagated by Pandit Vishnu Narayan Bhatkhande. There are ten Thaat advocated by Pandit Bhatkhande.

 
#      Thaat                   Swar
1.      Bilawal       S R G M P D N 
2.      Kalyaan       S R G m P D N
3.      Khamaj       S R G M P D n
4.      Bhairav       S r G M P d N 
5.      Purbi       S r G m P d N
6.      Marwaa       S r G m P D N 
7.       Kafi       S R g M P D n
8.      Asavari       S R g M P d n
9.      Tori       S r g m P d N 
10.      Bhairavi       S r g M P d n
 
     
 
Raag
A definite melodic arrangement of notes, capable to enchant the human mind and the emotions.
 

Explanation
A definite melodic arrangement of notes capable to enchant the human mind and stir the emotions. Indian classical music is completely based on these Raags. Medieval devotional poetry has also been composed in these traditional Raags. Medieval devotional poetry has also been composed in these traditional Raag systems. The Sikh scripture Sri Guru Granth Sahib has been compiled in 31 Raags and 31 Raag forms. The name of the Raags are Siree, Maajh, Gaurhi, Aasaa etc. and Raags forms are Gaurhi Majh, Gaurhi Cheti, Aasaavari etc.

 
     
 
Laia
Tempo or a constant speed of beats
 

Explanation
Laia is an application of tala, which limits the constant intervals between different beat of a tala.

 
     
 
Taal
A fix rhythmic pattern or cycle of beats used as a unit to measure the time being used in a Indian music presentations.
 

Explanation
Taalis a rhythmic phrase or pattern based on a set of syllables having identical beats and playing style.

 
     
 
Theka
A set of various mnemonic representations (rhythmic patterns) used as a groove to accompany a Indian music presentation.
 

Explanation
A set of predefined syllables (Varanas) of percussions instrument and played to accompany a musical presentation.

 
     
 
Matra
The minimal unit of taala used to measure the time being used in a musical presentation.
 

Explanation
The smallest unit of a taala is Matra. It is the pulse of laia of taal. The number of matras and the syllables (Bols) assigned to each of these form the shape and structure of a taal.

Teentaal

X
1      2      3     4

2
5       6       7      8

0
9     10     11   12

3
13    14     15   16

 
     
 
Vibhag
A unit of tala in Indian musc tradition.
 

Explanation
Sub division of a taal comprising some of the beats being used. In the tradition of Indian music every taal is having at least two . The number of Vibhaagsmay go upto the number of beats being used in a particular taal.

First Vibhag

X
1         2        3         4
Dha    Dhin   Dhin   Dha

 
Second Vibhag

2
5       6         7          8
Dha    Dhin   Dhin   Dha

 
Third Vibhag

0
9       10      11        12
Dha    Tin     Tin      Ta

 
Fourth Vibhag

3
13    14        15       16
Ta    Dhin   Dhin   Dha

 
Vibhag of Teentaal

X
1      2        3       4
Dha  Dhin  Dhin  Dha

2
5      6       7        8
Dha  Dhin  Dhin  Dha

0
9      10     11    12
Dha  Tin   Tin   Ta

3
13  14       15      16
Ta  Dhin  Dhin  Dha

 
     
 
Sam
First beat of taala in Indian music
 

Explanation
The first beat of the rhythmic cycle being used in Indian music is known as Sam. It is used as a point of resolution in a music presentation. The Sam may be improvised pre or past beat points. It is always performed with a clap.

X
1
         2         3          4
Dha     Dhin    Dhin    Dha

 
     
 
Tali
First beat of a vibhag of Indian taal being represented with a clap
 

Explanation
A taal can be divided in some small units known as vibhaags. The first beat of a Vibhaag which is represented with a clap.

X
1     2        3      4
Dha  Dhin Dhin Dha

2
     6         7       8
Dha  Dhin  Dhin Dha

0
9    10    11   12
Dha  Tin   Tin  Ta

3
13
    14    15    16
Ta   Dhin Dhin Dha

 
     
 
Khali
First beat of a vibhag of Indian taal being represented with soundless motion of hand.
 

Explanation
A taal can be divided in some small units known as vibhaags. The first beat of a Vibhaag which is represente with soundless motions of hand.

X
1    2        3      4
Dha Dhin Dhin Dha

2
5     6     7        8
Dha  Dhin  Dhin Dha

0
9
    10    11   12
Dha  Tin   Tin  Ta

3
13    14      15    16
Ta    Dhin  Dhin Dha

 
     
 
Avartan
A full rhythmic circle of an Indian taal.
 

Explanation
A cycle fixed beats, composed to measure the time being spent in a music presentation in Indian music is called Avartan. In playing mode it is a set of prescribed alphabets or syllables of an percussion instrument.

X
1
     2       3       4
Dha  Dhin Dhin Dha

2
5    6       7        8
Dha Dhin  Dhin Dha

0
9    10     11   12
Dha Tin   Tin  Ta

3
13    14      15      16
Ta    Dhin  Dhin Dha

X
1
      2       3      4
Dha    -       -       -

 
     
 
Tihai
A phrase of music notes or poetry used thrice consecutively to reach the first beat of a taal or a prefixed point of the taal circle.
 

Explanation
In Indian music there is tradition of vocal, instrument playing and dance to use a phrase their consecutively to reach a particular point of a taal or Sam, the first beat of the taal. The Sargam, poetic piece, steps of dance or a group of playing strokes used thrice in a series is called Tihai.

 
     
     
MCQs
     
 

1. Hindustani Sangeet is know by which name?

            I. Dakhni Sangeet                   II.  Lok sangeet
                       
            III. Uttari Sangeet                  IV. Film Sangeet

2. Karnatki Sangeet is known by which Name ?

            I. Lok Sangeet                        II. Uttari Sangeet

            III. Dakhni Sangeet                IV. Film Sangeet

3. Sufi Sangeet Comes into which category.

            I. Political                                II. Religious

            III. Cultural                             IV. Entertainment

4. There are how many types of Naad ?

            I. Ten                                       II. Two           

            III.  Five                                  IV. Fifteen

5. Hindustani Sangeet is based on how many swaras?

            I.  Ten                                      II. Twenty

            III. Seventeen                         IV. Twelve

6. Which Swar is  known as Tivar swar in Hindustani musical scale ?

            I. Pancham                              II. Rishabh     
           
            III. Madhyam                         IV. Dhaiwat

7. Which swaras are known as Achal swaras in Hindustani musical scale ?

            I. Gandhar and Nishad           II. Madhyam and Gandhar    

            III. Sharaj and Pancham         IV.All the swaras

8. There are how many Thaats in Hindustani Sangeet Padhati

            I.  Fourteen                             II. Ten
           
            III. Fifty                                  IV. Five

9. Which Thaat consists of all the shudh swaras in Hindustani Sangeet Padhati ?

            I. Todi                                     II. Bhairav      

            III. Khamaj                             IV. Bilawal

10. Which Thaat consists of Madhyam tivar in Hindustani sangeet Padhati ?

            I. Bilawal                                II. Bhairav
           
            III. Bhairvai                            IV. Kalyan

11. What is the Descending order of Notes called ?

            I           Thaat                           II         Avroh
            III        Saptak                         IV        Raag

12. What is Theka ?

               I. Sargam                              II. Syllables of taal     

               III. Alap                               IV.None of above

13 What is Matra ?

              I. Minimal unit of measurement of time      
              II. One note of raga
              IIII. Rag Prakars
              IV. Sur

14. What is Sam ?

              I. first beat of a tala              II. An omitted note in a raga 

              III. first beat of vibhag         IV. None of above

15. What is Avartan ?

               I. One circle of a tala           II. Main alap  

               III. An instrument                IV. None of above

 
     
   
 

1. III    2. III    3. II     4. II    5. IV    6. III    7. III    8. II    9. IV     10. IV

11. II     12. II    13. I    14. I    15. I 

 
     
     
Bibliography
     
  1. Dictionary of Music, Eric Blom, Bhartiya Kala Prakashan, Delhi, 2007
2. Encyclopaedic Dictionary of Music, Vol 1-2, Ashish Pandey (Edi.), Isha Books, Delhi, 2005.
3. Gurmat Sangeet Terminolgy, Gurnam Singh (Dr.), (Chief Edi.), Pujnabi University, Patiala. 2012
4. The Oxford Encyclopaedia of Music of India, Vol I-III, Late Pt. Nikhil Ghosh (Chief Edi.), Oxford University press, New York, 2011.

 
     
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